Showing posts with label Simon Oakland. Show all posts
Showing posts with label Simon Oakland. Show all posts

Thursday, January 10, 2013

TZ Promo: "The Thirty-Fathom Grave" (1/10/1963)





Season 4, Episode 2 (#104 overall)
Cayuga Production # 4857
Originally aired January 10, 1963



Yawn.

After last week’s engaging “In His Image,” The Twilight Zone brings us what might have been an intriguing ghost story, but instead emerged as a maritime exercise in seafaring tedium.


“The Thirty-Fathom Grave” concerns a naval destroyer whose sonar picks up a clanging sound thirty fathoms below.  It turns out there’s an American submarine down there, half buried in the sand.  A couple of dives later, it’s determined that the sub is one torpedoed by the Japanese during WWII.  Coincidentally (or not), a crew member on the destroyer was also the sole surviving crew member on that ill-fated sub, and that incessant clanging is driving him six kinds of crazy.



This could’ve been a nice little paranormal excursion of the nautical variety, like season one’s “Judgment Night,” but it’s severely overlong at the show’s new hour length.  It…. just…. drags.  By the time we get to the denouement, when the source of the mysterious undersea clanging is revealed, it’s not enough to justify the hour we've just spent waiting for it.  The episode does achieve quite a bit of production value by shooting on an actual US destroyer, not to mention the impressive miniature work employed for the exterior submarine scenes (the close-ups were shot in an actual underwater tank; equally impressive).  And the core story is actually a pretty good ghost tale, but Serling’s supersized script kills it before it ever gets out of the dock.  As presented, “The Thirty-Fathom Grave” is dead in the water. 


A-ha! In his wonderfully detailed The Twilight Zone: Opening the Door to a Television Classic, author Martin Grams reveals that Serling originally wrote “The Thirty-Fathom Grave” as a half-hour script, then expanded it to suit the show’s new format.  Well shit, this could’ve been a pretty great episode after all.  Kinda makes me want to create a “lost” 25-minute version.  I do have the necessary software at my disposal.  I’m just sayin’.


Happily, the cast is pretty decent.  Character actor Simon Oakland, last seen in season two’s “The Rip Van Winkle Caper,” is his usual gruff-but-compassionate self as Captain Beecham.  He’s probably best remembered as Captain Schrank in 1961’s West Side Story, not to mention 1960’s Psycho.  In fact, it was his role in Psycho that subsequently led to his appearance as the Empyrian, a birdlike alien, on The Outer Limits’ “Second Chance” four years later. Oakland was also a regular on TV’s Kolchak: The Night Stalker, and he died after a long battle with cancer in 1983.





...and speaking of The Outer Limits, diver McClure is played by John Considine, who played the stoic Bertram Cabot from “The Man Who Was Never Born,” one of that series’ finest offerings).




Crewman Bell, the ship’s resident guilt-ridden basket case, is effectively and twitchily played by Mike Kellin, another character actor who appeared in countless TV series throughout the fifties, sixties and seventies.  Coincidentally, Kellin was a real-life Lieutenant Commander in the US Navy during WWII (typecasting, perhaps?).  Like Oakland, he died of cancer in 1983.


We also see Bill Bixby in a minor role as the Officer of the Day.  For me, Bixby will always be Dr. David Banner, the beleaguered Jekyll to Lou Ferrigno’s Hyde on TV’s The Incredible Hulk.  I was a huge fan of the Marvel comic series, and became a devoted fan of the show when it premiered in 1977.  Bixby also starred in the earlier TV series The Courtship of Eddie’s Father and My Favorite Martian.  Bixby sadly died after a long battle with cancer in 1993.



Noticing a trend here?  Is there some kind of curse associated with this episode?  Was everybody exposed to something on that destroyer? On a serious note, it’s sobering to realize just how many Twilight Zone actors and crew members are now gone.  I guess it’s to be expected, since the series is over 50 years old now, but… damn.



“The Thirty-Fathom Grave” is by no means a terrible episode.  It looks great and it’s well acted, but ultimately it can’t overcome the ponderous script and bloated length.  File it under W for “waterlogged” and set sail, Cap’n.


Next week:  A machine that creates a ham sandwich out of thin air?  I’m so there.




*There’s a reason I keep pointing out Outer Limits connections.  ‘Nuff said for now.


Thursday, April 21, 2011

TZ Promo: “The Rip Van Winkle Caper” (4/21/1961)






“The Rip Van Winkle Caper” (4/21/1961)
Season Two, Episode 24 (60 overall)
Cayuga Production # 173-3655


Earlier in season two (“A Most Unusual Camera”), a band of thieves fell victim to greed and turned on one another, with deadly results. Despite its potential, it was one of the lamest episodes of the entire series. 50 years ago tonight, another band of thieves was similarly torn apart by greed, but this time Serling and company got it right. It’s one of my Top 40 favorites.


“The Rip Van Winkle Caper,” written by Rod Serling and directed by Justus Addiss, tells the tale of four master criminals whose combined talents result in the successful heist of a fortune in gold bullion. They hole up in a cave in the desert, where they’ll lie in wait until the case goes cold and they can emerge free… and very, very rich.


How long, you ask? About one hundred years. But how, you ask? Why, suspended animation, of course. Check out those cool glass coffins… um, I mean chambers. A similar device will appear in season five’s “The Long Morrow” (hell, it might be the same prop for all I know). We’ll get to it in… oh, about three years.


Anyway, our villains seal themselves up in the coffins (chambers, damn it!), which fill with an eerie chemical fog, and then… well, watch it. I’m not spoiling it. I will say that, in a way, it’s a nice thematic bookend to season one’s “I Shot an Arrow into the Air,” and not just because of the similar Death Valley locations. Speaking of which, spotlighting this episode gives me a chance to promote Twilight Zone: On Location 2010 again. It’s a great short film by Paul Giammarco, in which he tracks down the locations where “The Rip Van Winkle Caper” and other desert-set episodes were shot. Do check it out.


Oscar Beregi and Simon Oakland star, both of whom we’ll see again later in the series. Beregi comes back as a Nazi in season three’s brilliant “Death’s Head Revisited” and again as a German professor in season four’s “Mute.” Oakland, meanwhile, will pop up as a Navy captain in season four’s “The Thirty-Fathom Grave,” but genre fans will probably remember him best as the psychologist who matter-of-factly explains Norman Bates’ rather shocking condition at the end of Alfred Hitchcock’s Psycho.


Forbidden Planet alert! The futuristic car seen at the episode’s end is a leftover prop from MGM’s classic film, modified a bit but still recognizable. It’s amazing how often the show used Forbidden Planet props… I for one never get tired of seeing them. After a lifetime of relative indifference, it's slowly but surely become one of my favorite sci-fi films of all time.


“The Rip Van Winkle Caper” is one of eighteen episodes adapted into short story form by Serling for a trilogy of TZ paperbacks between 1960 and 1962 (Stories from The Twilight Zone, More Stories from The Twilight Zone, and New Stories from The Twilight Zone). I discovered all three of them one fateful afternoon at a drugstore in Canby, Oregon, during the summer of 1982, shortly after I first discovered the series in syndication. They were $1.95 each, and I bought all three. I hadn’t seen many episodes at that point, so most of the stories were new to me. “The Rip Van Winkle Caper” was one such story and, as I recall, it was one of my favorites. When I finally saw the episode some time later, I was similarly impressed. The books have been reprinted several times over the decades. I don't have my original copies of the books anymore... I have earlier vintage editions, similar to those pictured above (I couldn't even find pictures of my first copies on Google Images!). One of these days I'll spotlight each volume by itself.



Next week: Hush up, blabbermouth. Seriously, you’re driving us all crazy. Zip it, why don’tcha? No? Okay fine, I’ve got a little wager for you….