Those who lamented (or continue to lament, to this day) the switch from Bernard Herrmann’s moody theme music to the frenetic, bouncy (and, admittedly, much more famous) offering by Marius Constant starting with The Twilight Zone’s second season should get a kick out of this.
When Herrmann was called in to score season three’s “Little Girl Lost" (which we'll be spotlighting on Friday), he went the extra mile and re-recorded the Constant theme (both opening and closing pieces) with decidedly different instrumentation; hell, “decidedly different” is putting it mildly. Check it out:
Pretty wacky, eh? Brittle, electronic... it almost sounds like an Esquivel recording. I like to think that this was Herrmann’s way of thumbing his nose at Constant for supplanting him as the show’s theme music provider (Herrmann was certainly known for not always playing nice). Cayuga apparently liked his rendition enough to switch over to it for most of the remaining season three episodes.
Herrmann's take on Constant's end title music, meanwhile, survived for a mere five weeks before Constant's recording was reinstated. Here it is:
Interestingly, a number of season five episodes contain a variation on Herrmann's version of the Constant end title theme, but it sounds like different recording. I have no idea where it came from... but hey, we'll deal with it when we get to season five (Autumn 2013!).