4x14 "Quarantine Confidential 3D"

One down, one to go. In the penultimate installment of the show, host Craig does one final round of housekeeping and (not surprisingly) pimps his work on the Night Gallery Season 1 Blu-ray set. Worth your time? Only you can make that determination. It’s free, for God’s sake, so just download the damn thing. 

Get Night Gallery Season 1 on Blu-ray here: https://amzn.to/30YhtlR 

Theme: “Neither Here nor There” performed by Twin Loops 

“Strange Girl” performed by Hubert Laws (from the album Flute By-Laws, copyright 1966 by Atlantic Records) 

“Sour Times (Cut & Paste Instrumental by Chris Blake)” performed by Portishead (from the album Dummy, copyright 1994 by Go! Beat-London Records) 

“To Kill a Dead Man” performed by Portishead (from the “Sour Times” CD single, copyright 1994 by Go! Beat-London Records) 

"Over" performed by Portishead (from the album Portishead, copyright 1997 by Go! Beat-London Records)

“Omid (Hope)” performed by Thievery Corporation (from the album The Richest Man in Babylon, copyright 2002 by ESL Records) 

“Leave It” performed by Yes (from the album 90125, copyright 1983 by Atco Records) 

The Twilight Zone is a trademark of CBS, Inc. 

Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.  

4x13 "Between Awe and Mystery: An Outer Limits Podcast"

Bug-eyed monster lovers rejoice! This week Craig dives deep into the pool of primordial goo that is the Outer Limits episode “Tourist Attraction.” TOL historian David J. Schow joins in to regale us with his bottomless sea of knowledge, plus Dr. Reba Wissner gives us the lowdown on the episode’s original music score. The whole affair is slimy... yet strangely satisfying. 

Get your David J. Schow literary fix right here: https://www.cimarronstreetbooks.com/ 

Get your own Ichthyosaurus Mercurius model kit here: https://www.dimensionaldesigns.com/icme.html

My 2013 blog entry on “Tourist Attraction”: https://bit.ly/3kwEDGE 

The Outer Limits is a trademark of Metro-Goldwyn-Mayer Studios, Inc. 

Between Awe and Mystery: An Outer Limits Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.  

4x12 "2Quarantine 2Confidential"

This week, host Craig checks out “Reap What You Sow,” a fan-made Twilight Zone episode in the spirit of the original series, then gazes backward at his own (sadly unrealized) dream of creating... well, something along the same lines. Friend of the show Carson Cohen returns for some much-needed fact checking, then we wrap up with some reportage on an exciting Rod Serling-related crowdfunding campaign. Oh, it’s also Hallowe’en, which we’re apparently not observing at all this year. Boo indeed. 

Theme: “Neither Here nor There (Yet Another Revision version)” by Twin Loops (used by permission). 

“Two Semi-Metallic Human Beings” composed by Howard Shore (from album David Cronenberg’s Crash: Original Motion Picture Soundtrack, copyright 1996 by Milan Records). 

“Babylon” performed by Control X (from the album To Abort Transmission, copyright 1995 by Instinct Ambient Records). 

As Timeless as Infinity: A Rod Serling Monument Kickstarter campaign:  https://bit.ly/3w1kcpH 

If you haven’t seen “Reap What You Sow,” go watch it before CBS issues a cease-and-desist notice!  https://youtu.be/f5GOQVgeAzk 

The Twilight Zone is a trademark of CBS, Inc. 

Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.